Blinding“, the brand new single from East London singer, songwriter and musician J Appiah, as premiered via Clash Magazine, is a frank examination of J’s interior anxieties with his developing career. In an industry that literally commodifies artists, it’s both a cautionary tale and a creative expression of the mental labyrinths an artist passes through just trying to stay human in an industry that peddles idols and products.


Appiah’s “Blinding” is no heavenly one, though musically, you could trace in its Hip Hop beat, shades of blues and gospel emanating from his soulful vocal delivery, beautifully assisted by Submotion Orchestra’s Ruby Wood. Petitioning for forgiveness and invoking the blinding lights, Appiah cleverly subverts classic musical themes, reviving them in the context of a cautionary tale.


All that glitters is not gold, and the meretricious allure of fame, its promises of the paparazzi flashbulbs and the engulfing spotlights, ­are framed as toxic to the artist struggling to manage their own expectations of themselves. Above all, “Blinding” evokes Appiah’s home city of London in all its diverse, vibrant, expansive, nocturnal mutant glory, reminding us of what it is to be alive and to be human in its cold concrete embrace.


Speaking about the inspiration behind “Blinding”, J Appiah says, “this new track ‘Blinding’ is about my desire to be well known as an artist but also my apprehension with regards to the pitfalls of it. It’s about people judging you for who they think you are before they’ve even met you. It’s also about being seduced by the idea of popularity. I think today there are many ways you can become well known, everyone seems to want their 15 minutes of fame”.




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